Review: “Carsten Höller, Two” at UCCA Center for Contemporary Art
Installation view of “Carsten Höller: Two,” UCCA Center for Contemporary Art, 2026. sunshi We’re in the era of legal weed...
Art
Between Blue-Chip and Homespun Art, Grand Rapids Is Finding Its Voice
Chad Kirchner and Tim Pierce’s Murmuration installed at 1101 Godfrey. Photo: Christa Terry for Observer For just over two weeks...
How Art Is Shaping Cocktail Menus in New York, London and More
Scarfes at the Rosewood London. Scarfes At a newly opened New York restaurant and several London hotel bars, artists’ work...
Good Art Is Worth Waiting For
This article contains spoilers for You Can See Everything.About halfway into Nathan Fielder and Lance Oppenheim’s new A24 movie You...
Dindga McCannon at Fridman Gallery: Six Decades of Black Art
Installation view: “Dindga McCannon – Yesterday and Today” at Fridman Gallery. Photo: Adam Reich A pioneer of textile assemblage, found-object...
Untitled Art Houston 2026 Finds Its Footing in Year Two
Strong opening-day sales suggested a buyer base deeper than many outsiders expected. Photograph by Casey Kelbaugh / CKA Following its...
NEW: Deloitte’s Framework for Measuring Corporate Art and Culture
For a long time, culture was viewed at best as an economic driver, and more narrowly as a generator of...
At Contemporary Istanbul Foreign Galleries Championed Turkish Art
Andre Rehder Arte Contemporanea at Contemporary Istanbul. Courtesy Contemporary Istanbul Istanbul’s mythology continues to hold great sway beyond its borders....
“I SPY! Walter Wick’s Hidden Wonders” at Atlanta’s High Museum of Art
Walter Wick, City Blocks, from I SPY Fantasy, 1994. Pigmented inkjet photograph; New Britain Museum of American Art, gift of...
Report: Japan’s Art Market Growth and Tokyo Gendai 2026
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Art Can Be What You Smell
The first time I consciously contemplated a museum’s installation-specific smell was in Fernando Romero’s “El Sol” at Kristallwelten in Innsbruck,...
Frieze Seoul, Pavilion and Design Miami Lead Seoul Art Week 2026
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Review: “The Renaissance Engraver at Work,” Cleveland Museum of Art
Antonio del Pollaiuolo, Battle of the Nudes, 1470-80s. Engraving; image: 42 x 60.4 cm; sheet: 42.4 x 60.9 cm. The...
How Art is Moving Beyond the White Cube and Finding New Possibilities
Installation view: “Robert Gober: The Heart is Not a Metaphor,” 2015. Photograph by Thomas Griesel Every two years, the Venice...
FEMSA Collection Marks 50 Years of Latin American Art
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